System Stories and Model Worlds: A Critical Approach To Generative Art (2009)
Writing in 2002, Florian Cramer draws a fundamental distinction in software art practice, between “software formalism ” and “software culturalism. ” [1] The former focuses on the generativity...
Fitzgerald, Robert, Barrass, Stephen, Campbell, John, Hinton, Sam, Ryan, Yoni, Whitelaw, Mitchell, ...
Universities are in the business of preparing students for their professional, social and intellectual lives: as such they are also about producing the leaders and innovators for a rapidly changing...
Fitzgerald, Robert, Barrass, Stephen, Campbell, John, Hinton, Sam, Ryan, Yoni, Whitelaw, Mitchell, ...
Universities are in the business of preparing students for their professional, social and intellectual lives: as such they are also about producing the leaders and innovators for a rapidly changing...
Fitzgerald, Robert, Barrass, Stephen, Campbell, John, Hinton, Sam, Ryan, Yoni, Whitelaw, Mitchell, ...
Universities are in the business of preparing students for their professional, social and intellectual lives: as such they are also about producing the leaders and innovators for a rapidly changing...
Fitzgerald, Robert, Barrass, Stephen, Campbell, John, Hinton, Sam, Ryan, Yoni, Whitelaw, Mitchell, ...
Universities are in the business of preparing students for their professional, social and intellectual lives: as such they are also about producing the leaders and innovators for a rapidly changing...
Art Against Information: Case Studies in Data Practice (2008)
This paper makes a critical analysis of new media art working with data interfaces and visualisation – data practice or data art. Pursuing the distinction between information and data, it is...
Towards A Prehistory, A-life Art, Mitchell Whitelaw, Simon Penny, Jane Prophet, Christa Sommerer, ...
An examination of historical precedents for contemporary art practice using artificial life, in particular in the work of Paul Klee and Kasimir Malevich. Similarities are identified between...
Art Against Information: Case Studies in Data Practice (2008)
This article makes a critical analysis of new media art working with data interfaces and visualisation – data practice or data art. Pursuing the distinction between information and data, it is...
Morphogenetics: generative processes in the work of (2007)
work with generative techniques in a range of media, from digital imaging and software to sculpture and robotics. In their own words, they pursue “an activity that explores the unseen, the...
Barrass, Stephen., Whitelaw, Mitchell., Bailes, Freya.
Leonardo Music Journal - Volume 16, 2006
Barrass, Stephen, MARCS Auditory Laboratories, Whitelaw, Mitchell, Bailes, Freya
Listening to the Mind Listening (LML) explored whether sonifications can be more than just "noise" in terms of perceived information and musical experience. The project generated an unprecedented...
Barrass, Stephen, MARCS Auditory Laboratories, Whitelaw, Mitchell, Bailes, Freya
Listening to the Mind Listening (LML) explored whether sonifications can be more than just "noise" in terms of perceived information and musical experience. The project generated an unprecedented...
The Abstract Organism: Towards a Prehistory for A-Life Art (2001)
Leonardo - Volume 34, Number 4, August 2001
Artificial life in new media art (2000)
Bibliographic references and online sources: leaves [280]-294.
Breeding Aesthetic Objects: Art and Artificial Evolution (1999)
This paper presents an account of the work of visual artists applying artificial evolutionary techniques, addressing the implications of these techniques for artistic practice. It examines the forms...