Scientific Commons: Raymond Carver

Principianti (2009)

Principianti, versione originale di Di cosa parliamo quando parliamo d'amore, Raymond Carver, traduzione di Riccardo Duranti. . - Torino, Einaudi. [2009].

Regarding the ear in Raymond Carver’s "Vitamins" (2008)

Vasiliki Fachard;, Raymond Carver

Prolegomena to Any Future Carver Studies (2008)

William L. Stull;, Raymond Carver, Maureen P. Carroll

On Waiting in Raymond Carver’s “A Small, Good Thing” (2008)

Raymond Carver;, Harold Schweizer

The essay examines three temporalities traversed by Scotty’s parents as their child lies in a coma drifting towards his death. In the first temporal dimension, time is sought to be harnessed to...

The Shuffled Letter in Raymond Carver’s “Collectors” (2008)

Vasiliki Fachard;, Raymond Carver

Le présent article s'efforce de montrer que les écarts sémantiques dans la nouvelle "Collectors" de Raymond Carver signalent un sous-texte qui situe l'écrivain dans le temps, et plus...

Raymond Carver’s “The Father”: some thoughts about identity (2008)

Daniel Thomières;, Raymond Carver

Cet article, qui part de la très courte nouvelle de Raymond Carver intitulée “The Father“, se présente comme une réflexion sur la notion d’identité. L’approche choisie a été de mettre...

Quote-unquote: Raymond Carver and metafiction (2008)

Claire Maniez;, Raymond Carver

Raymond Carver, bien qu’ayant souvent exprimé des réserves sur les exercices métafictionnels de la génération d’écrivains américains qui a précédé la sienne, n’a cependant pas gommé...

What more than Rita can we make of Carver's parts in "Fat"? (2008)

Vasiliki Fachard;, Raymond Carver

Cette étude se propose de montrer que les écarts narratifs déchirant la surface mimétique de la fiction de Raymond Carver sont souvent les signes d'une auto-réflexion toujours présente dans son...

What we talk about when we talk "About Love": Carver And Chekhov (2008)

Laurie Champion;, Raymond Carver, Anton Tchekhov

Lorsqu'il parle des écrivains qui l'ont le plus influencé, Raymond Carver cite Anton Tchekhov. Le style minimaliste de Carver rappelle la stratégie narrative qu'utilise Anton Tchekhov. Les...

"Where I'm calling from": inside the loop (2008)

Robert Johnson;, Raymond Carver

Le présent article propose d’aborder la nouvelle à travers le récit de J.P., personnage qui raconte au narrateur comment on lui avait sauvé la vie quand, un jour, il était tombé dans un...

Introduction (2006)

Vasiliki Fachard;, Raymond Carver

Putting yourself in the shoes of Raymond Carver (2006)

Raymond Carver;, Charles E. May

Raymond Carver’s self-confessed “story of a writer,” “Put Yourself in My Shoes,” asks the reader to identify with the formal writerly process by which a story is created, rather than the...

It doesn’t take a Tolstoy: Raymond Carver’s “Put Yourself in my Shoes” (2006)

Vasiliki Fachard;, Raymond Carver

During a visit to his house by a writer (Myers), Morgan tells a story intended as “raw material” for his guest. Met with the writer’s silence and laughter rather than the acknowledgement he is...

Dreams and Other Connections among Carver’s Recovered Stories (2006)

Raymond Carver;, Randolph Paul Runyon

The three dreams recounted early on in “Dreams,” one of five posthumously discovered stories by Raymond Carver collected by Tess Gallagher in Call If You Need Me, resonate with events to come in...

Symbolic Significance in the Stories of Raymond Carver (2006)

Daniel W. Lehman;, Raymond Carver

As the Reagan-era 1980s began to leak into the 1990s, literary theorists were finding shimmering traces of postmodernism across nearly every literary page. Suddenly it was fashionable to sniff out...

Now This Is Affirmation of Life: Raymond Carver’s Posthumously Published Stories (2006)

Raymond Carver;, Arthur F. Bethea

Frequently Raymond Carver has been associated with a pessimistic sensibility, and rightly so. Published individually for the first time in 1999 and 2000 and then collected in Call If You Need Me: The...

Women and Violence in the Stories of Raymond Carver (2006)

Raymond Carver;, Sandra Lee Kleppe

This article examines the role of women characters in the stories of Raymond Carver who are involved in violent passages either as victims, witnesses, or perpetrators. The first and middle sections...

Houses of Identity: Inhabiting and Emerging from Despair (2006)

Hilary Siebert;, Raymond Carver

The physical settings of Raymond Carver’s stories, in particular the living spaces his characters inhabit, present readers with images of the characters’ intimate identities. By studying the way...

Raymond Carver

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